The 8th Christmas Edition of the Von Pip Musical Express with Andy Von Pip as he rummages around his huge festive sack to find some brand new alternative Xmas tunes.
Read More http://www.thevpme.com/2018/12/16/the-von-pip-musical-express-christmas-show-2018/
On October 12th, 2018 Lancaster City Council served Lancaster Music Co-op with an eviction notice on the building they have occupied for 33 years. We now need to fight to get that eviction order overturned!!
Read More https://www.change.org/p/lancaster-city-council-save-lancaster-music-co-op-fight-the-eviction
Here is a playlist of 100 of my favourite tracks from 2018 so far. A diverse list of genre spanning sounds from home and oversees released in the last six months or so, follow and listen to my Spotify playlist below.
Read More http://www.godisinthetvzine.co.uk/2018/07/18/playlist-bills-best-of-2018-so-far/
If you need to find a door inside of your head that leads to somewhere else, Ezra Furman will show it to you. This particular door opens up to us in Liverpool. The narrative-driven album Transangelic Exodus is passing through our outward facing city. We’re lucky.
Read More http://www.thevpme.com/2018/02/08/ezra-furman-visions-transangelic-exodus-liverpool/
If this is Eggland, you better check your hostilities at the door. Lancaster’s oddball outfit, The Lovely Eggs don’t want any of that arm folding, beard-stroking nonsense in the front rows. You’re unlikely to find it, to be honest.
Read More http://www.godisinthetvzine.co.uk/2018/02/20/the-lovely-eggs-100-club-london-16-02-2018/
Private property rights, as Jeremy Corbyn’s critics often remind us, are the foundation stone of free markets. Mess about with them and the whole Jenga tower of our prosperity could come crashing down.
Read More http://www.independent.co.uk/voices/radiohead-copyright-lana-del-rey-creep-economics-a8158351.html
And so, just in time for the main day in The Season of Pagan Cultural Appropriation The Moon presents A Best of 2017.
Read More https://themoonfromsyb.blogspot.com/2017/12/a-best-of-2017-on-moon.html
So here it is, this year’s Von Pip Xmas special for IWFM Radio, rounding up some of the best modern Xmas tunes and proving that not all Christmas tunes are crap by definition.
Read More http://www.thevpme.com/2017/12/21/the-vpme-christmas-show-on-iwfm-radio/
Martin Carr’s latest album, New Shapes of Life, was written in the aftermath of Bowie’s death and is a wonderful collection of electronic-tinged, honest and reflective, futuristic-soul songs, but making the record took its toll on his mental health. We spoke to him to find out more…
Read More https://sayitwithgarageflowers.com/2017/11/05/i-love-this-record-i-think-its-my-best/
The cover of Charlotte Carpenter‘s latest EP, Shelter, sees our heroine sat opposite a pint of bitter which may or not be hers (I bet it is!). Interestingly, the glass is half full…or perhaps it’s half empty? The answer to this perenial teaser is probably a closely guarded secret but key to understanding the pro-genesis behind the 4 track EP and the current state of her psyche. Look more closely at the EP cover and you will see her face split in two, subordinate to the outside light, whilst wearing a pink t-shirt under a black leather jacket and sat beneath a half and half window. The message seems uncomplicated, this is an EP of contrasts; either that or I’m reading waaaaay too much into matters.
Carpenter is arguably the most interesting Northampton export since Carlsberg opened up their brewery and her own particular brand of bluesy-rock goes down just as well with a packet of dry roasted peanuts. Not many artists are courageous enough to admit being inspired by a trip to a motorway service station (apparently ‘Shelter‘ conceived during one such visit) but then Charlotte Carpenter is no run-of-the-mill artist.
The title track percolates with a cinematic throb which provides the perfect bedrock for Carpenters’ robust vocal delivery; this is a marked progression from her previous offerings and demonstrates an artist who is growing in confidence and self-belief. Some may scoff, but there are echoes of Portishead‘s Dummy album throughout the track, a disturbing sense of the macabre mixed with a sense of impending doom. Previous single ‘Fire‘ is included here; it’s a full-on rock romp which could easily have featured as the soundtrack to a late-70s road movie and, once again, offers a contrast in pace to the rest of the EP.
The remaining tracks hint at the flip side to Charlotte Carpenter, showcasing a pencant for a delicate vocal with minimal musical intervention. ‘Hey Mr Cowboy’ comes over all spaghetti Western with an effortless strum complimenting a laconic vocal; if they ever re-make Pulp Fiction then this track is a necessity. Finally, ‘Lately’ signs off the EP with a ludicrously simple stab at my heartstrings; it feels as if the track was written in 5 minutes flat on the back of a fag packet but I bet it wasn’t.
None of this answers the question of whether her glass is half full or half empty but mine is positively overflowing. Catch her on tour now before she starts on the Diamond White trail to super-stardom.
The post Charlotte Carpenter – Shelter EP (Let It Go Records) appeared first on God Is In The TV.